Between 1906 and 1923 both my paternal and maternal families took shape: three uncles on each side, six aunts, and my parents. The maternal line was rooted from the start in Chicago’s Little Italy; the paternal line began in Italy and made its way, by stages, to the same city. For the purposes of this family chronicle I will concentrate solely on the boys—my six uncles.
| Top Row - The Poppas: Fred, Lenny and Augie Bottom Row - The DeLios: Carl, Mike and Johnny |
By the time the youngest uncles were coming of age, the country had plunged into the Great Depression and then into the Second World War. Those two events shaped the work, the marriages, the moves, and the silences of an entire generation. The postwar years brought new neighborhoods, new jobs, and a different kind of American life, but the old patterns—family loyalty, loud arguments, fierce protectiveness, and the occasional boyish relapse—traveled with them.
The Poppas
The Poppa Family- c. 1923 Front row l-r: Augie, Beth, Ann, Grandma Poppa, Rocco & Leonard Back row l-r: Fred, Grandpa Poppa |
The Poppa Men- c. 1983 Standing: Rocco Sittin l-r: Augie, Fred & Leonard |
| Fred (34), Jennie (33), Joey (8-9 mths c. 1945 |
Freddie
| Fred (37-42) c. 1948-1953 |
Weekly phone calls, check-ins, and card games kept the Poppa boys in regular contact most of their lives. My own time with Uncle Freddie was limited—mostly the usual hugs kisses at the beginning and end of visits—simply because that was our normal family dynamic. The real continuity among the brothers happened in the adult male rituals: the pinochle table, the occasional lawn game (horseshoes, bocce ball) when the weather allowed. Freddie was right there in the middle of it—quieter than some of the others, but an active player, not a spectator.
As the eldest he carried a natural, understated authority of chronology, nothing more. Even in the 1983 photograph of the four Poppa men, Freddie is still there, seated with his brothers, the same quiet continuity visible across six decades.
When it was time to eat, everyone came back to the dining-room table. The meal was always huge—some kind of pasta, meatballs, sausages, crusty Italian bread, a great bowl of salad passed from hand to hand, the children’s plates filled first. Afterward, just when you thought you couldn’t manage another bite, out came the platters of Italian pastries. I had been taught not to be rude, so of course I sampled one or two.
Lenny
| Lenny (25-26 yrs) c. 1944 |
| Lenny (29-30) & Gail (3-4) c. 1947-1948 |
He was a good-looking man; there was no denying it. More than once he told me that some people said he looked just like Gregory Peck while others insisted he looked just like Jeff Chandler. I would nod politely, though in truth he didn’t resemble either of them. When I repeated the story to my mother she laughed. “How could he look like both actors,” she said, “when they looked nothing like each other?” Good point.
Augie
| Augie (20 yrs) c. 1942 |
| Augie (22 yrs) c. 1944 |
He married three times. The first, to Marion “Mary” Akison in January 1946 in Chicago, produced two children and ended in divorce around July 1948. The second, to Kathryn DeBartolo on April 19, 1950, also produced two children and ended in 1956. The third, to the widow Elaine Mozer Mustari between 1966 and 1968, lasted until Augie’s death in 2004.
The DeLios
| The Delio Boys, et al - c. March 1955 seated l-r: Marilyn, Grandma DeLio, Josie and Francie standing l-r: Carl, Johnny and Mike |
Carmi
| Carl (38 yrs) c. 07/02/1944 |
Known in the family as Carl or Carmi, he married Catherine Citro inJune 1930 (the exact date isn’t known). They had two children. After his father Angelo’s death in February 1944, Carl became the family patriarch and, five months later, walked my mother down the aisle in his place. He was the natural choice. A man of great character, empathy, and love of family, he stepped in—sometimes behind the scenes—whenever he felt someone was being taken advantage of. His advice, whether sought out or volunteered, was respected. A saint? Of course not. Maybe he was effective simply because people didn’t want to hear that booming voice raised. He had one, and it pretty much ensured he would not be ignored.
My clearest memory of Uncle Carmi is of him sitting in the kitchen of his house on Major Avenue, catching up over coffee with his sisters—my mother (Marilyn), Francie, and Josie. When he’d had enough of that he would move out onto the enclosed back porch to watch television or read the paper, leaving the women with his wife, Katie. That’s where he could always find me if he was looking.
Mikey
| Johnny & Mikey on DeKalb Street c. 1921 |
I never had the chance to know Uncle Mikey; he died in February 1956 when I was less than two years old. What I know about him comes from the first-hand recollections of others—few even then, and fewer now—and from a handful of photographs I inherited from my mother. From those pictures he looks a perfect blend of Uncle Carmi and Uncle Johnny, and I don’t think I’m going out on a limb when I say the same was probably true of temperament.
He was a cute little boy based on some photos I have seen, and, clearly a loving older brother to Johnny, as evidenced in the 1921 picture taken on DeKalb Street of the two of them.
His draft registration card lists him as five-foot-seven, a hundred and thirty pounds, brown hair and brown eyes. At the time of his death he was a maintenance worker for the telephone company—a steady, unspectacular job that fit the middle-brother profile between the more forceful Carmi and the gruff Johnny.
Mike & Irene's Wedding Day |
| Mike & Family - Grandma's Birthday Party - March 1955 |
| Johnny- abt 1943 |
Johnny
John Angelo DeLio, the youngest of the brothers, was born on September 10, 1920, in Chicago. He married twice; both marriages ended in divorce. With his second wife, Olga Mitrofaniak, he had one child who died at three months of age. Although married (and divorced) twice, Johnny was my bachelor uncle. He worked for the Department of Streets and Sanitation—street cleaning, snow plowing, and the rest. Because of the hours he kept, he was usually home in the afternoons.
He had a gruff voice and, unless you got to know him well, a slightly gruff demeanor. He loved his nieces and nephews; you just wouldn’t always know it, and he could put the fear of God into us with just a look.
| Johnny (47-48 yrs) c. 1967 |
The school principal called the house and asked my mother to come pick Patrick up. Mom brought Uncle Johnny with her as backup. She was relieved to see that Patrick wasn’t hurt, though his clothes were filthy from falling in front of the car. She was also fit to be tied. Once they left the principal’s office, my brother was not allowed to sit down on Johnny’s clean upholstery all the way home. From the look on Uncle Johnny’s face, it was wise of Pat not to even try.
Birthday cake. Who doesn’t like a beautifully decorated birthday cake, all lit up with candles, everyone standing around singing “Happy Birthday,” the birthday boy or girl blowing out the candles, and slices passed around? Uncle Johnny would cut or scrape the frosting off his piece—not for any dietary reason, but because whoever blew out the candles had almost certainly spit all over the top of the cake. Persnickety? Maybe. Probably true.
Uncle Johnny died on November 20, 1967. He had been living at Uncle Carmi’s house at the time. When the funeral parlor asked Carmi to bring in an outfit for the interment, Carmi went through Johnny’s closet and found a Brooks Brothers garment bag with a brand-new suit still inside, tags attached. It was a beautiful suit, so Carmi brought it. Johnny looked very dapper in it—he always was well dressed, and the end of his life was no exception. About a week after the funeral Carmi received a call from the Brooks Brothers shop. It seemed Uncle Johnny had not yet paid for the three-hundred-dollar suit in which he had been laid to rest. I guess it’s true that he who laughs last, laughs best.
They grew up, took on the weight of adult lives, and still kept pieces of the boys they had been—sometimes in the way they laughed, sometimes in the way they protected, sometimes in a brand-new suit that somehow never got paid for. From boys to men, and every so often, back again. I’m glad they did.
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